Monday, August 24, 2020

Art as Nazi Propaganda

Abby Hutt HUM 324 1 December 2008 Art as Propaganda in Nazi Germany Having been a craftsman himself, Hitler comprehended the potential intensity of symbolism in moving the majority. â€Å"We will find and support the craftsmen who can put forth for the State of the German individuals the social stamp of the Germanic race . . . in their root and in the image which they present, they are the declarations of the spirit and the goals of the community† (Hitler, Party Day discourse, 1935, qtd. Nazi Approved Art).It is genuine that, with each culture since forever, workmanship speaks to â€Å"the standards of the community,† however obviously during the Third Reich, these â€Å"ideals† were constrained by the Nazi Party. Hitler changed the job of the craftsman to advance Germany and praise the country and his own standards. Specialists who didn't agree to Hitler’s goals took a chance with their life, and along these lines, there is a nonappearance of social authe nticity in German craftsmanship during this time. The craftsmen of Nazi Germany usually portrayed lovely peaceful scenes, the courage of German troopers, the â€Å"volk† (regular society) as Aryans in serene settings, and the shades of malice of the Jewish people.These sorts of generalizations were helpful in workmanship, in that they were amazingly oversimplified, and hence effectively deciphered by the majority. Indeed, even the uneducated, the individuals who couldn’t read, could see these sorts of artistic creations and forms and get them, yet more critically, could be moved by them. In the mid twentieth century, there were radical changes being made in the workmanship world. Current developments, for example, Cubism, Dadaism, Surrealism, and Expressionism were not effectively comprehended by the majority. They were not all around refreshing, and actually, seen as â€Å"elitist† by many, or even â€Å"degenerate† by others.Max Nordau, a doctor and soc ial pundit, composed Degeneration, in which he assaults â€Å"degenerate† current craftsmanship. â€Å"Such a style of painting might be contrasted with the detached discourse of a frail psyche, who prattles as per the current of the relationship of thoughts, meanders in his discussion, and neither knows himself, what he wishes to show up at, nor can make it understood to us† (Nordau 84). Nordau presents a few contextual investigations of craftsmen and scholars, his central matter being that society is deteriorating and that it is both incompletely brought about by and reflected in current art.Despite being Jewish, and utilizing hostile to semitism for instance of degeneration, Nordau’s â€Å"scientific† assault against current workmanship, and the expression â€Å"degenerate† was reused by the German Nationalist Socialists so as to advance their own style of craftsmanship as purposeful publicity. Unmistakably the craftsmen of the Third Reich didn' t â€Å"wander† in their message, and knew definitely what they needed to clarify to the general population. Hitler communicated his nauseate with present day â€Å"degenerate† craftsmanship, â€Å"As for the ruffian craftsmen, I preclude them to drive their purported encounters upon the public.If they do see fields blue, they are unhinged, and ought to go to a refuge. On the off chance that they just profess to see them blue, they are hoodlums, and ought to go to jail. I will cleanse the country of them† (Hitler, qtd. Gardner 110). This is an ideal case of the manner by which Hitler balanced the scholarly degree of his message so as to engage the majority. Yourman recognizes one of the significant promulgation methods of the Nazi party as â€Å"name-calling. † â€Å"’Name calling’ is a gadget to make us structure a judgment without looking at the proof on which it ought to be based. Here, the proselytizer claims to our detest and fear† (Yourman 149).Hitler calls present day craftsmen unhinged, degenerate, crooks. It appears that, during this time, present day craftsmanship was not generally comprehended by people in general, and it is therefore that Hitler was effectively ready to convince the majority into both dreading and detesting this kind of workmanship, just as tolerating the more reasonable and shortsighted Nazi publicity. In September of 1933, Reichskulturkammer (Reich Culture Chamber) was built up. Inside the chamber, subgroups were built up for music, film, writing, and visual expressions, comprising of racially unadulterated specialists who might advance the Third Reich.In 1937, the Haus der Kunst (â€Å"House of Art†) was raised by the Third Reich, so as to exhibit the best German craftsmanship endorsed by the Third Reich. It was to hold two yearly juried workmanship appears, called â€Å"The Great German Art Exhibition† and â€Å"The German Architecture and Crafts Exhibiton. † July sixteenth was pronounced the â€Å"Day of German Art,† a yearly occasion to match with the displays (Kasher 53). At the opening of the Huas der Kunst, Hitler gave a discourse in which he proclaimed, â€Å"†¦the craftsman doesn't create for the craftsman, he delivers for the individuals, similarly as every other person does! Furthermore, we are going to take care that it will be the individuals who from ow on will again be brought upon as judges over its art†¦. For a craftsmanship that can't rely on the most upbeat and most sincere consent of the solid, expansive masses of the individuals, however depends on little, incompletely intrigued, halfway pretentious factions, is intolerable† (Hitler, qtd. Werckmeister 337) Again, Hitler was speaking to the majority by depicting Nazi publicity as the specialty of the individuals. He persuades them that they are the genuine appointed authorities of workmanship, rather than the â€Å"elitist† present day cr aftsmen. The Reich Culture Chamber held a Degenerate Art show in Munich simultaneously as The Great German Art Exhibition.After seizing around 17,000 centerpieces from German galleries, they showed around 600 of them in their celebrated in the display. â€Å"Exhibition coordinators encompassed the works of art and figure with deriding spray painting and citations from Hitler's discourses, intended to aggravate popular conclusion against this â€Å"decadent† cutting edge craftsmanship. Amusingly, the presentation pulled in five fold the number of guests (36,000 on one Sunday alone) as the similarly huge â€Å"Great German Art Exhibition† of Nazi-affirmed craftsmanship that opened in Munich at the equivalent time† (Philadelphia Museum of Art).Arno Breker was â€Å"the official state sculptor† of the Third Reich. He had examined design in Paris and Berlin, and he was found by the Nazi Party, when his figure Decathlete came in second in the model rivalry for the 1936 Olympics in Berlin. In the wake of being designated by Hitler as legitimate state stone worker, he was given a studio and collaborators. Most of Breker’s works comprise of strong male nudes that were intended to represent a country youthful, common, solid, and moral†¦Ã¢â‚¬  (Kasher 10). One of Breker’s most celebrated works is Die Partei, a sculpture intended to speak to the soul of the Nazi party.Heinrich Hoffman was viewed as the main Nazi picture taker. He was a companion of Hitler’s and he recorded the ascent of the Nazi party. He was in the end designated by Hitler as a national photojournalist, with the â€Å"exclusive option to give photos of Hitler† (Kasher 17). He maintained his own business, recruited different picture takers, distributed a few photobooks extolling the Nazi party, and dispersed photos to the press, which did likewise. One of the best types of Nazi purposeful publicity, be that as it may, appeared to be the Nazi Pa rty frauds, which showed â€Å"volkisch† figured, speaking to the â€Å"common individuals. Hitler was appeared in banners, as to some degree an otherworldly figure, controlling the predetermination of the individuals of Germany. â€Å"The basically antagonistic enemy of parliamentarianism of Nazi publicity prompted the projection of the ‘Fuhrer-fantasy', which delineated Hitler as both alluring superman and man of the people† (Welch). Numerous canvases and banners depicted Hitler in the ‘renaissance present', with one knee up, with the motto â€Å"Ein Volk, ein Reich, ein Fuhrer† (â€Å"One People, One Nation, One Leader†).Beginning in the late 1930s, the tone of Nazi publicity mirrored the inexorably extreme perspective on hostile to semitism. â€Å"The Jewish generalizations appeared in such promulgation served to fortify tensions about present day improvements in political and monetary life, without trying to scrutinize the truth of the Jewish job in German society† (Welch). The progress from the ubiquity of vanguard visual expressions in Germany to the specialty of the Third Reich, is fairly emblematic of the whole way in which Hitler dealt with Germany.His words from Mein Kampf foretell this, â€Å"The more noteworthy the mass it is expected to come to, the lower its absolutely intelligent level should be† (Hitler, qtd. Asheville 464). Hitler comprehended the intensity of symbolism in convincing the German individuals, particularly the uneducated. The uneducated could comprehend the oversimplified style and topic of the craft of the Third Reich. The Nazi Party played off of the feelings of trepidation of the German individuals, which was the reason the discouragement of current workmanship and the glorification of the Nazi Party was so effective in Nazi Germany.Works Cited â€Å"Degenerate Art. † Philadelphia Museum of Art. 2008. . Forster, E. M. Ordinary Book. Standford: Stanford University P ress, 1985. Heskett, John. â€Å"Art and Design in Nazi Germany. † History Workshop, No. 6 (1978), pp. 139-153. Oxford University Press Stable. Ramsey Library University of North Carolina. (Nov. 26, 2008) . Kasher, Steven. â€Å"The Art of Hitler. † October, Vol. 59, (Winter, 1992), pp. 48-85. The MIT Press. Ramsey Library University of North Carolina. (Nov. 26 2008) . Nordau, Max. Degeneration. New York City: D.Appleton and Company, 1895. Welch, David. â€Å"Nazi Propaganda. † World War II. BBC. . Werckmeister, O. K. â€Å"‘Degenerate Art': The Fate of the Avant-Garde in Nazi Germany. †

Saturday, August 22, 2020

'An analysis of . . . . .' (writer's choice, pending customer Assignment

'An examination of . . . . .' (essayist's decision, pending client endorsement) - Assignment Example Authoritative change the executives requires procedures and apparatuses for dealing with the individuals side of the change at the hierarchical level. In this manner, after a survey of the writing in change the executives and on the significance of PC interceded instruction for UOH, the change the board program would be introduced and broke down in the accompanying areas. 2.0 Literature Review An examination was led among fifty grown-up EFL Saudi students at Najran University, Saudi Arabia, by Mahdi (2012) to research the effect of casual utilization of PC intervened correspondence (CMC) on English as a Foreign Language (EFL) learner’s collaboration. Casual utilization of CMC suggests impromptu and unevaluated exercises that can happen outside the study hall. The discoveries of the investigation propose that the understudies had inspirational disposition towards the utilization of CM to improve their English language. Be that as it may, educator impedance and occupied timetabl e, can affect the casual utilization of CMC. The discoveries of this investigation are significant for this paper since instructors or the personnel would be the prime drivers of this change at UOH. Also, Riyadh Colleges of Dentistry and Pharmacy (RCSDP), during the time spent actualizing an absolutely PC based data framework to encourage organization, conveyance of educational programs and clinical instructing, led a review of the understudies to research into their insight and aptitudes applicable to ICT (Rahman, 2012). The point was to quantify the degree of acknowledgment and the level of preparing that would be required to prepare them to acknowledge the demand in PC interceded training framework. The examination found that understudies of this school exhibited great disposition towards ICT and their degree of utilization was at standard with understudies from different nations. The way that the college required to...The point was to quantify the degree of acknowledgment and th e level of preparing that would be required to prepare them to acknowledge the demand in PC intervened training framework. The examination found that understudies of this school showed positive demeanor towards ICT and their degree of utilization was at standard with understudies from different nations. The way that the college expected to lead an investigation shows that there were questions about students’ capacities in utilizing CALL. The examination additionally uncovered that there is extension for development and that the colleges should utilize ICT in conferring instruction. At UOH additionally the preliminary year isn't obligatory for understudies of me...

Friday, July 17, 2020

Is Love Biological or Is It a Cultural Phenomenon

Is Love Biological or Is It a Cultural Phenomenon Theories Social Psychology Print Is Love Biological or Is It a Cultural Phenomenon? By Kendra Cherry facebook twitter Kendra Cherry, MS, is an author, educational consultant, and speaker focused on helping students learn about psychology. Learn about our editorial policy Kendra Cherry Updated on February 16, 2020 Bobi/Moment / Getty Images More in Theories Social Psychology Behavioral Psychology Cognitive Psychology Developmental Psychology Personality Psychology Biological Psychology Psychosocial Psychology When it comes to love, some people would say it is one of the most important human emotions. Yet, despite being one of the most studied behaviors, it is still the least understood. Researchers consistently debate whether love is a biological phenomenon or a cultural one. Only fairly recently has love become the subject of science though. In the past, the study of love was left to …the creative writer to depict for us the necessary conditions for loving... according to Sigmund Freud (1910). In consequence, it becomes inevitable that science should concern herself with the same materials whose treatment by artists has given enjoyment to mankind for thousands of years, Freud added. Research on love has grown tremendously since Freuds remarks. But early explorations into the nature and reasons for love drew considerable criticism. During the 1970s, U.S. Senator William Proxmire railed against researchers who were studying love and derided the work as a waste of taxpayer dollars. Still, research has revealed the importance of love in child development and adult health. But how do psychologists define this important emotion? Rubins Scale of Liking and Loving In one approach, social psychologist Zick Rubin used a psychometric approach to love  to devise a scale. This scale was then used to assess levels of liking and loving. According to Rubin, romantic love is made up of three elements: Attachment:  Needing to be with another person and cared for. Desiring physical contact and approval are also important components of attachment.Caring:  Valuing the other persons happiness and needs as much as your own.Intimacy:  Sharing private thoughts, feelings, and desires with the other person. Based on this view of romantic love, Rubin developed two  questionnaires  to measure these variables. Initially, Rubin identified approximately 80 questions designed to assess the attitudes a person holds about others, which were sorted according to whether or not they reflected feelings of liking or loving. Rubins scales of liking and loving provided support for his theory of love. In a study to determine if the scales actually differentiated between liking and loving, Rubin asked a number of participants to fill out his questionnaires based on how they felt both about their partner and a good friend.  The results revealed that good friends scored high on the liking scale, but only partners or significant others rated high on the scales for loving. 5 Ways That Theories of Psychology Explain Love Is Love Biological or Is It a Cultural Phenomenon? Scientists who hold biological views of love tend to view the emotion as a human drive. While love is often seen as one of the basic human emotions such as anger or happiness, some researchers have suggested that love is instead a cultural phenomenon that arises partly due to social pressures and expectations. In a Time article, psychologist and author Lawrence Casler said, I dont believe love is part of human nature, not for a minute. There are social pressures at work. If love were a purely cultural invention, it would stand to reason that love would simply not exist in some cultures. However, anthropological research suggests that love is a universal emotion. For instance, biological anthropologist, Helen Fisher, studied 166 societies attempting to identify romantic love. She found evidence of romantic love in an overwhelming 147 of the 166 societies, or nearly 90% of the time. This study, along with countless others, suggests that there is a biological component to loveâ€"a part of human nature that seeks out and finds love. Likewise, because Fisher could not identify romantic love in every society she studied, this suggests that there is a cultural influence to love as well. A Word From Verywell Love is most likely influenced by both biological drives and cultural influences. While hormones and biology are important, the way we express and experience love is also influenced by our personal conceptions of love.

Thursday, May 21, 2020

Different Types of popular music. - 2090 Words

Music is all around us. We all grew up listening to some type of music. No one can really determine when music began or which cultures had music first. There are stories of its origins that go back to ancient times. Popular music is music produced for and sold to a broad audience.(1) The types of popular music we are going to look at are jazz, country-and-western music, rhythm-and-blues music (RB), rock music, and rap, also know as hip-hop.(1) First, we will look at jazz. Jazz is a type of music that was first developed by African Americans around the first decade of the 20th century. (2) It is believed that jazz originated in New Orleans. The first ever recording of jazz was in the 1890s. (3) Jazz developed into different styles.†¦show more content†¦The electric guitar is the instrument most associated with rock music. Another instrument is the electric bass guitar, which was introduced by Fender in 1951. (8) The drum set is used in rock music also. Rock-and-roll guitarist Chuck Berry established a style of playing in the late 1950s that remains a great influence on rock music.(8) Jimi Hendrix, Eric Clapton, and Carlos Santana are a few more rock musicians. One of my favorite rock groups is The Rolling Stones. Closely connected with youth culture, rock music and musicians have helped to establish new fashions, forms of language, attitudes, and political views. However, rock music is no longer limited to an audie nce of teenagers, since many current listeners formed their musical tastes during the golden age of rock and roll. Similarly, while rock has historically encouraged new creative expressions, the innovations of Chuck Berry, Elvis Presley, Bob Dylan, the Beatles, and Jimi Hendrix have defined a tradition to which successive generations of musicians have repeatedly turned for inspiration.(8) A special day in the history of rock music was February 7, 1964; it was the day that a band called the Beatles that came from Liverpool, England to the United States. On February 11, 1964, the Beatles sang their first concert in the United States, at the Washington Coliseum. (12) The Beatles, one of the most popular rock and roll sensations in history, created frenzy in the U.S., as they became a model for rock andShow MoreRelatedComparing Merengue Tipico Music Of The Dominican Republic875 Words   |  4 Pagespaper will be comparing and contrasting Merengue Tipico music, which is a type of merengue, and bachata music of the Dominican Republic. 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The decade marked the beginning ofRead MoreSimilarities Between Music And Classical Music921 Words   |  4 PagesClassical music originated in Ancient Egypt but as time went by in became less popular. Then around the late 1700`s it became very popular in areas of the world like Europe, Italy, Austria, Germany. The period from 1750 to 1810 was known as the Viennese Classic. Classical music is kind of western music with a twist. At this point in time art literature was very popular, so when people first heard of classical music they were very interested in it. Classical music is very different from otherRead MoreWhat Is The Types Of Music?1587 Words   |  7 Pages What is the types of music? 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He analyzes popular music with the perspective not only from music, but also from the economic system based on Marx’s idea. This paper first discusses his theory about popular music, including three important key terms and then how he develops this theory based on Marxism. Further, this paperRead MoreSalsa Essay901 Words   |  4 PagesSalsa music. For example, Willie Colon introduced the Cuatro from Puerto Rico which is a stringed instrument to add flavor to this music. Songs backed with Jazz, Rock tunes from Brazil and Panama. Celia Cruz one the most celebrated icon of Salsa was able to incorporate an electric piano making Salsa move with the chang ing times. Jazz elements were also added to Salsa music by Eddie Palmieri. He brought in Manny a renowned percussionist. The 1980s was also a year of transformation in Salsa music. TheRead More Hungarian Peasant and Folk Music Essay1562 Words   |  7 PagesHungarian Peasant and Folk Music I. General confusion about Hungarian folk music. Gypsy music Peasant music - the real Hungarian folk music - is not Gypsy music. Peasant music certainly had influence on the songs and playing of gypsies who lived in Hungary and performed in ensembles, though. Gypsy music used to be the basis of all generalizations about Hungarian music. It was Ferenc Liszts monumental error to state that Gypsy music is the creation of gypsies. The so called gypsy scale pointsRead MoreMusic Therapy : Where Does It Stand?1605 Words   |  7 PagesMusic Therapy: Where Does It Stand? When one needs psychotherapy, there are several options. Most people use one or more of these five types: body psychotherapy, cognitive behavioral therapy (CBT), existential psychotherapy, interpersonal psychotherapy (IPT), or relational psychotherapy (Jefferies). These are some of the most popular forms of psychotherapy, and most patients who use them are successful in healing or reaching a manageable state. Because of their famed efficiency and reliability, many

Wednesday, May 6, 2020

The Debt And Interest Of Student Loans - 1164 Words

The amount of student loans that one accumulates throughout post-secondary education can become a heavy burden. In addition, the study conducted by Scheresberg, Lusardi, and Yakoboski (2014) show that a surprising amount of students are not aware of the financial burden that they have acquired until they are deep in debt and interest. They summarize that: Overall, there is a notable mismatch among college-educated Millennials between their perceived and demonstrated levels of financial literacy, with the form exceeding the latter. They also have less financial knowledge than might be expected given their educational attainment. On the other hand, given that only 29 percent have received financial education through school or work, perhaps low financial literacy is to be expected. This indicates a need for increased financial education, as improved financial literacy would mean more informed financial decision making. (p. 18) Most often, students sign up for loans without fully understanding the interest rates that come with them. At the end of their post-secondary education, students come to fully understand what financial burden they have to pay off and they find themselves stuck with high interest rates. The summation made by Scheresberg, Lusardi, and Yakoboski (2014) of Generation Y is that â€Å"many college-educated Millennials have low financial literacy levels; many are not aware of their low financial literacy; many have not received any formal financialShow MoreRelatedStudent Debt Crisis1380 Words   |  6 Pages A student loan is designed to help students pay for university tuition, books, and living expenses. It may differ from other types of loans in that the interest rate may be substantially lower and the repayment schedule may be deferred while the student is still in education. It also differs in many countries in the strict laws regulating renegotiating and bankruptcy. 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Psychology (imagery usage) Free Essays

Introduction For a number of years imagery has been known to be an effective method to enhance athletic performance and sporting success. Currently Imagery researchers have majorly became interested in the mechanisms behind imagery’s performance-enhancing effects and how these can be maximized. It has also transpired through neuroscience research that a â€Å"functional equivalence† exists between imagery and performance of a skill or movement, as they are both triggered by the same neurophysiological processes (Decety Jeannerod, 1996). We will write a custom essay sample on Psychology (imagery usage) or any similar topic only for you Order Now A cognitive neuroscience approach to motor imagery in sport was presented by Holmes and Collins (2001) they examined current research efforts in neuroscience and applied the findings to developing a deeper understanding of motor imagery as athletes commonly use it. In particular, they highlighted the implications of the notion of the functional equivalence of the motor imagery and motor execution systems for sport psychologists. As a result, it has become one of the most popular psychological strategies employed by athletes, coaches, and sport psychologists. Holmes and Collins (2001) developed a PETTLEP model that included 7 different factors: Physical, Environment, Task, Timing, Learning, Emotion and Perspective. The PETTLEP model recommends that influencing the physical nature of imagery to near motor preparation will stimulate the peripheral receptors that are related with task execution and increase the psychophysiological congruence of motor preparation and motor imagery at the central sites, ultimately strengthening the memory trace (Beisteiner, Hollinger, Lindinger, Lang, Berthoz, 1995). Imagery has been defined as â€Å"using all the senses to re-create or create an experience in the mind† (Vealey Greenleaf, 2001). Imagery is widely known to be used in any physical activity to improve performance, skill and change behavioural problems. Imagery in sport is a form of stimulation which is similar to a real sensory experience, except imagery stimulation occurs in the mind. Imagery can also be known as ‘visualization’ and there are 4 different types of senses which are all important and they are known as the kinaesthetic, auditory, tactile and olfactory senses but the kinaesthetic sense to athletes is the most important one because when our body moves in several ways we can feel it and this helps athletes improve performance. Through imagery you are able to re-create positive experiences that have previously happened or picture new events to prepare yourself mentally for performance. Holmes and Collins suggested that all athletes should be actively i nvolved in the imagery experience. (Adapted from Holmes and Collins, 2001, 2002) The PETTLEP model of intervention are useful in daily clinic to facilitate learning, performance skills, strategies, modifying cognitions, regulating arousal and competitive anxiety in the handling of athletes and sports performance. For example if there was a football team that wanted to use imagery to prepare for the possibility of going to penalties of a tournament, the PETTLEP model would be: Physical: The players would imagine being in shortage of breath and they would even make themselves shortage of breath prior to imaging to stimulate the state they would be in during a match. The players could then perform the imagery in the standing stance wearing their kit and boots in the exactly same way they would when they practise or actually taking a penalty. Environment: When wanting to create an atmosphere the imagery used would be in the competition scene using photos, videos and sounds of the crowd to make an environment as if the players are actually taking a penalty. Task: Sho uld be reflected in the image which means each player should focus internally and concentrate on factors such as which corner in the goal they are going to place the ball. Each player should include prompts they would work on when taking an actual penalty an example of this would be, never look at the goalkeeper and just solely focus on the ball and wait for the referees whistle to begin their run up. This should be mirrored in the imagery picture as a result. Timing: The penalty planning and carrying out the run up and flight of the ball should be imaged in real time. Learning: When the athletes manage to master the technique then they can then move onto other elements such as the changes in emotion they would start to experience as they become a talented penalty taker. Emotion: Footballers are encouraged to add in the appropriate emotions they experience when going to take a penalty so they get used to these emotions and learn to relate them with success. Addition of related emotion will help increase the vividness of an image. Perspective: If the footballers view the technique of taking a penalty, they may perform the imagery from an external visual perspective. However they may prefer to use internal visual imagery when wanting to view the factors they will focus on when making their preparations for the penalty. As a result each footballer should consider which visual perspective is best and switch between the two. Holmes and Collins (2001), â€Å"PETTLEP model† was said that there is evidence especially when mixing physical and environmental strategies in terms of conducting imagery on field (I.e. rehearsing imagery of kicking a football penalty on the field instead of imagining this while at home). The SIQ questionnaire is an well-organized way of gaining knowledge about the athletes ability to conduct imagery. The next step would be to develop an efficient imagery intervention, that could develop the athlete’s ability. References Holmes and Collins, (2001), The PETTLEP Approach to Motor Imagery: A Functional Equivalence Model for Sport Psychologists, Journal of applied sport psychology, vol.13(1), p.60-81 Hall, C. R., Martin, K. A. (1997). Measuring movement imagery abilities: A revision of the movement imagery questionnaire. Journal of Mental Imagery, 21, 143-154. How to cite Psychology (imagery usage), Essay examples

Saturday, April 25, 2020

Stephen F Austin free essay sample

Cantrell began his career in the field of history as a lecturer at TAMU in ’86, then spent 15 years working as an assistant and later an associate professor at a variety of notable universities around Texas. In 2001, Cantrell got his first job as a professor. Cantrell currently resides in Fort Worth where he works as a history professor at TCU. Cantrell is a well-rounded historian. Besides spreading his knowledge through teaching, Cantrell is a published author of articles, essays and books, belongs to a number of organizations and committees, and serves as a speaker at conferences around Texas. Stephen Fuller Austin was a strong believer in Manifest Destiny. It was his duty to expand Texas westward and bring Anglo-Americans into Mexican Texas. In 1821, the young empresario set out to Americanize and expand the region between the Brazos and Colorado River, which entailed serving as a middleman (mediator) between the Anglos and the Mexicans. We will write a custom essay sample on Stephen F Austin or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page His first step in accomplishing this daunting task was to act as a liaison and learn to communicate efficiently between the two groups. Austin had responsibilities aside from acting as a liaison, â€Å"he was responsible for recruiting settlers, surveying and issuing land titles, enforcing laws†¦Ã¢â‚¬  (106) Austin began his work immediately both culturally and politically. As a cultural mediator, Austin’s first plan of action was to learn and master the Spanish language. The language barrier would prevent him form conducting necessary business and building relationships with the Mexican government. In 1822, Austin traveled to Mexico City where he fully submerged himself in the language and was nearly fluent within weeks. Austin’s next duty as a cultural mediator began the following year upon arriving back in Texas. Austin preached to the newly settled Anglos the importance of the Roman Catholic religion. Austin enforced the religion by reminding the people to â€Å"respect the Catholic religion with all that attention due to its sacredness and to the laws of the land. Politically, Austin, despite his reserved nature, made it a priority to build relationships among the Tejanos. He developed an especially personal bond with Jose Antonio Navarro after Brown, Austin’s youngest brother passed away due to yellow fever, and later with Erasmo Seguin during the 1835 Revolution. Austin’s most prominent moment as a political mediator occurred during the Fredonian Rebellion. In 1825, Austin and his militia joined forces with chief Jose Antonio Saucedo as they marched to Nacogdoches. Together, they put an end to the rebellion that began when Haden Edwards received the go ahead to bring 800 settlers into the Nacogdoches area that was already occupied by Anglo and Tejano settlers. Many years later, on April 6, 1830, Austin did more work as a mediator. After a shady law was passed that stirred up conflicts between the Tejanos and Anglos of Texas, Austin â€Å"counseled calmness and continued loyalty toward Mexico,† (108) which in turn landed him a spot in prison. By this point, Austin was begging for peace in Texas. Stephen F. Austin earned his nickname â€Å"Father of Texas† by playing a major role in the colonization and â€Å"invasion† of Anglo-American Texas. Austin’s loyalty, dedication and desire for peace made his invasion possible. Austin’s powerful skills as a mediator drove him to success; â€Å"Austin’s career demonstrates the very real potential for political, economic, and social cooperation across racial and cultural lines. † (105) Austin will always be remembered in Texas’ history for the great work he did for our state.